Scarinci Hollenbeck, LLC
The Firm
201-896-4100 info@sh-law.comAuthor: Scarinci Hollenbeck, LLC|May 18, 2015
Obtaining a distribution deal is crucial for filmmakers, but the process is not what it once was.
If there’s any money to be made off a film, it comes through distributing it. Once upon a time, a filmmaker could present his creation at a flashy festival, wow the audience with juicy plots and shocking visuals and grab a distribution deal on the way out. All he or she had to do was hook a distributor. These days, acquiring a deal has isn’t the same as it was then. From determining how distribution is structured to raising funds to get the film into theaters, getting your movie out there can be a long process and may require the help of advisors such as attorneys. For a crash course in distribution contracts, have a look at the bite-sized advice below:
You can find other ways to get your film into theaters. For example, there is Tugg, an online platform that helps filmmakers get their productions into local cinemas. Its service model is similar to Kickstarter’s, except rather than monetary donations, the project’s progress is measured in viewing reservations. First a screening of the movie is set up at the chosen theater, then tickets are made available for reservation. If the minimum number of tickets is reserved five days before the select screening date, then the event will go on as planned. This ensures that any film can make it into a cinema, as long as there are people who want to see it.
Distribution can be a tough thing to acquire, with complex contracts and a number of deals to be made. If the task seems daunting, look into help from an attorney who can advise you on how to proceed with your film to ensure that there is an audience for it. Finding viewers for a new film can be tough, but with knowledge of the process and some legal help, you can woo the world with your movie.
The Firm
201-896-4100 info@sh-law.comObtaining a distribution deal is crucial for filmmakers, but the process is not what it once was.
If there’s any money to be made off a film, it comes through distributing it. Once upon a time, a filmmaker could present his creation at a flashy festival, wow the audience with juicy plots and shocking visuals and grab a distribution deal on the way out. All he or she had to do was hook a distributor. These days, acquiring a deal has isn’t the same as it was then. From determining how distribution is structured to raising funds to get the film into theaters, getting your movie out there can be a long process and may require the help of advisors such as attorneys. For a crash course in distribution contracts, have a look at the bite-sized advice below:
You can find other ways to get your film into theaters. For example, there is Tugg, an online platform that helps filmmakers get their productions into local cinemas. Its service model is similar to Kickstarter’s, except rather than monetary donations, the project’s progress is measured in viewing reservations. First a screening of the movie is set up at the chosen theater, then tickets are made available for reservation. If the minimum number of tickets is reserved five days before the select screening date, then the event will go on as planned. This ensures that any film can make it into a cinema, as long as there are people who want to see it.
Distribution can be a tough thing to acquire, with complex contracts and a number of deals to be made. If the task seems daunting, look into help from an attorney who can advise you on how to proceed with your film to ensure that there is an audience for it. Finding viewers for a new film can be tough, but with knowledge of the process and some legal help, you can woo the world with your movie.
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